DigiDesign Focusrite d3 Dokumentacja Strona 89
- Strona / 141
- Spis treści
- BOOKMARKI
Oceniono. / 5. Na podstawie oceny klientów
Chapter 10: Bruno and Reso 83
Notes played with the on-screen keyboard are
triggered at a MIDI velocity of 92.
To play Bruno/Reso with the on-screen keyboard:
1 Open the Plug-In window for Bruno/Reso.
2 Click Play on the Pro Tools Transport to start
audio playback.
3 Click the on-screen keyboard. Bruno/Reso will
only produce sound while audio plays on the
source track.
To latch keys on the on-screen keyboard:
1 Click the Latch bar, then click multiple keys.
Chords can be played in this way.
2 To turn off a latched key, click it a second
time.
3 To turn off key latching entirely, click the
Latch bar a second time.
Using MIDI
You can play Bruno/Reso live using a MIDI key-
board controller. You can also use the MIDI key-
board controller to record your performance on
a MIDI track and route it to Bruno/Reso for play-
back.
To configure Bruno/Reso for MIDI input:
1 Insert Bruno/Reso on an audio track.
2 Choose File > New Track and specify 1 new
MIDI track, then click Create. Create a separate
MIDI track for each Bruno/Reso plug-in you use.
3 Click the MIDI track’s MIDI Device/Channel
Selector and choose Bruno or Reso.
If you are using multiple Bruno/Reso plug-ins,
they will all appear in this pop-up. Route the
MIDI track to the correct one.
4 Record-enable the MIDI track.
5 Test your MIDI connection by playing notes
on your MIDI keyboard. The corresponding
notes should highlight on Bruno/Reso’s on-
screen keyboard.
To play Bruno/Reso with a MIDI controller:
1 Start audio playback.
2 Play your MIDI keyboard while audio plays.
Bruno/Reso only produces sound during audio
playback on the source track.
Using MIDI Playback
You can also play Bruno/Reso using a Pro Tools
MIDI track. Use a separate MIDI track for each
Bruno/Reso plug-in.
To play Bruno/Reso using a MIDI track:
1 Insert Bruno or Reso on an audio track.
2 Click the MIDI track’s MIDI Device/Channel
Selector and choose Bruno or Reso. If you are us-
ing multiple Bruno or Reso plug-ins, they will all
appear in this pop-up. Route the MIDI track to
the correct one.
3 Start Pro Tools playback.
Saving a Bruno or Reso setting while keys
are latched also saves the latched keys.
On Mac OS 9, Pro Tools requires OMS for
MIDI communication with Bruno/Reso. If
you are running Mac OS 9 and OMS is not
currently installed and configured on your
system, refer to your Pro Tools Getting
Started Guide for instructions.
- Digidesign 1
- Copyright 2
- Chapter 4. D-Fi 4
- Chapter 5. D-Verb 4
- Chapter 6. Focusrite D2 4
- Chapter 7. Focusrite D3 4
- Chapter 8. DINR 4
- Digidesign Plug-Ins Guide 6
- Getting Started With Plug-Ins 7
- Plug-In Formats 8
- Installing Plug-Ins 8
- Digidesign Registration 9
- Authorizing Plug-Ins 10
- Removing Expired Plug-Ins 10
- Allocating Additional Memory 11
- Conventions Used in This 12
- Processing Power 13
- Requirements of TDM and 13
- RTAS Plug-Ins 13
- Improving RTAS Plug-In 14
- Performance 14
- Delay in Digital Signal 15
- Processing 15
- Plug-Ins as Inserts 16
- Inserting Plug-Ins on Tracks 17
- The Plug-In Window 18
- Channel Selector 19
- Link Enable buttons 19
- Master Link button 19
- Digidesign Plug-Ins Guide14 20
- Editing Plug-In Parameters 21
- Using a Key Input for Side 22
- Chain Processing 22
- Automating Plug-Ins 23
- Using the Librarian 24
- The Settings Menu 25
- Choosing a Destination for 25
- Settings 25
- Managing Settings 26
- Mono Plug-ins 26
- Digidesign Plug-Ins Guide22 28
- The AudioSuite Window 29
- Plug-In Selector 30
- Selection Reference 30
- Use In Playlist Button 30
- File Mode Selector 31
- Process Mode Selector 31
- Digidesign Plug-Ins Guide26 32
- Multichannel Processing 33
- Undoing AudioSuite Processing 33
- Processed Audio 33
- Other AudioSuite Parameters 33
- The AudioSuite Processing 34
- Preferences Dialog 34
- Using AudioSuite Plug-Ins 35
- Using AudioSuite Plug-Ins in 36
- Recti-Fi 37
- Purposely Degrading Audio 38
- Chapter 4: D-Fi 33 39
- Input Trim 40
- Effect Type 40
- Effect Amount 40
- Effect Frequency 40
- Modulation Type 41
- Mod Amount and Mod Rate 41
- Chapter 4: D-Fi 37 43
- Alternating rectification 43
- Alt-Max rectification 43
- D-Fi Demo Session 44
- Lo-Fi Examples 45
- Recti-Fi Examples 46
- Chapter 4: D-Fi 41 47
- Digidesign Plug-Ins Guide42 48
- About Reverb 49
- D-Verb Parameters 50
- Input Level 51
- Algorithm 51
- Diffusion 51
- Customizing a Reverb 52
- Selecting Tracks for D-Verb 53
- AudioSuite Processing 53
- Digidesign Plug-Ins Guide48 54
- Focusrite D2 55
- D2 Parameters 56
- EQ Filter Controls 57
- Low-Mid Peak Filter 58
- High-Mid Peak Filter 58
- High-Shelf Filter 58
- Low-Pass Filter 58
- Computer Keyboard 59
- Using D2 in Stereo 60
- Focusrite D3 61
- The D3 Compressor 62
- The D3 Limiter 62
- D3 Parameters 63
- D3 Compressor Controls 64
- Threshold 65
- Auto Release 65
- D3 Limiter Controls 66
- Broadband Noise Reduction 67
- Creating a Noise Signature 68
- The Contour Line 68
- Reduction 68
- Parameters 69
- High-Shelf EQ 70
- Chapter 8: DINR 65 71
- Control-Option-Right Arrow 72
- Using Broadband Noise 73
- Digidesign Plug-Ins Guide68 74
- Editing the Contour Line 75
- Using BNR AudioSuite 76
- Chapter 8: DINR 71 77
- BNR AudioSuite 77
- Hum Removal 78
- Chapter 8: DINR 73 79
- Center Frequency 79
- Using Hum Removal 80
- RTAS version instead 81
- About Peak Limiting 82
- Maxim Parameters 83
- Attenuation 84
- Link Button 85
- Noise Shaping 85
- Bit Resolution 85
- Using Maxim 86
- Bruno and Reso 87
- DSP Requirements 88
- Inserting Bruno/Reso onto an 88
- Audio Track 88
- Playing Bruno/Reso 88
- Using MIDI 89
- Using MIDI Playback 89
- Bruno Parameters 90
- On-Screen Keyboard 91
- Timbre Parameters 91
- Timbrometer 92
- Amplitude Parameters 92
- ADSR Envelope Generator 93
- Voice Parameters 95
- Reso Parameters 96
- Resonance Velocity 97
- Damping Amount 97
- Damping Velocity 97
- Harmonics 97
- Gain Velocity 99
- Pitch Parameters 100
- LPF/Voice Parameters 101
- Online Help 102
- Reverb One 103
- A Reverb Overview 104
- Reverb One Controls 105
- Master Mix Controls 106
- Dynamics Controls 106
- Chorus Controls 107
- Reverb Controls 107
- Early Reflections Controls 108
- Simulating Early Reflections 109
- Reverb Graphs 110
- Other Controls 111
- Input Level Meters 112
- SoundReplacer 113
- SoundReplacer Parameters 114
- Trigger Threshold 115
- Load/Unload Sound 115
- The Zoomer 116
- Crossfade 116
- Peak Align 116
- Using SoundReplacer 117
- Getting Optimum Results With 118
- Mapping The Same Sample Into 119
- Multiple Amplitude Zones 119
- Using the Audio Files Folder 120
- Replacement Files 120
- SoundReplacer Demo Session 121
- Example 3 122
- Example 4 122
- Example 5 122
- Chapter 12: SoundReplacer 117 123
- Digidesign Plug-Ins Guide118 124
- SurroundScope 125
- SurroundScope Parameters 126
- Lissajous Meter 127
- Phase Meter 127
- Numerics 135
- Digidesign Plug-Ins Guide130 136
- Index 131 137
- Digidesign Plug-Ins Guide132 138
- Index 133 139
- Digidesign Plug-Ins Guide134 140
- Index 135 141
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Dickinson Fours manuels d'utilisation
La liste de Dickinson Fours produits contient 2 manuels d'utilisation pour les modèles 2. Tous les guides d'utilisation en format pdf peuvent être téléchargés ou consultés en ligne.
| Modèles | Type de document |
|---|---|
| Caribbean | |
| Mediterranean |
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